At the Vatican the synod is heading into its final phase, which then again is not final, given that it will be reconvened in a year and only afterward will the pope, on his own, decide what conclusions to draw from it, at the tail end of a debate about which little or nothing is known, protected as it is by secrecy.

But meanwhile there is also a synod “outside the walls,” of which the book above is a voice, on a topic, chastity, that has almost become a taboo for those in the Church who are calling for a “paradigm shift” in the Catholic doctrine on sexuality, led by that cardinal Jean-Claude Hollerich whom Francis has put at the helm of the synod.

The author of “Chastity. Reconciliation of the Senses,” released on October 12 by Bloomsbury and soon to be in bookstores in Spanish as well, published by Encuentro, with the title “Castidad. La reconciliación de los sentidos,” is Erik Varden, 49, Norwegian, a Cistercian monk of the strict observance, Trappist, the former abbot in England of Mount Saint Bernard Abbey in Leicestershire, and since 2020 the bishop of Trondheim.

Varden, who is not at the synod, was among the signatories, together with all the bishops of Scandinavia including Stockholm cardinal Anders Arborelius, of that “Pastoral letter on human sexuality,” released last Lent, which Settimo Cielo published back then in full, due to its extraordinary originality of language and content, capable of speaking to modern man of all the richness of the Christian vision of sexuality in unbroken fidelity to the age-old magisterium of the Church and at the same time in clear opposition to “gender” ideology.

There is a kinship of style between that pastoral letter and Varden’s book. But there is also an important difference. “Chastity” does not get mixed up in the disputes, the “dubia,” over the blessing of homosexual couples or communion for the divorced and remarried. On these questions the author states that he does not sway one iota from what the 1992 Catechism of Catholic doctrine teaches, and refers to it as “a great treasure.”

But precisely as a bishop, Varden wants to do something else with his book. He wants to “build bridges,” to span the gap that has been created between the thinking of modern secular society and the immense richness of the Christian tradition, let spill today by a widespread amnesia.

That is, he writes, he wants to present again to the world the Christian faith in its entirety, without compromise. But at the same time to express it in forms that are understandable even for those to whom it is entirely foreign: “by appealing to universal experience, then trying to read such experience in the light of the revelation.”

And “Chastity” is indeed a fascinating journey between the Bible and great music, literature, painting, from the Desert Fathers to Bellini’s “Norma,” from Homer to the “Magic Flute” of Mozart, to a good dozen modern writers and poets more or less distant from the Christian faith. The apostle Matthew on the cover is also part of the game. It is taken from the last judgment as frescoed in 1300 by Pietro Cavallini, a predecessor of Giotto, in the Roman basilica of Santa Cecilia in Trastevere. His eyes look to Christ, to the final destiny of glorified man.

All to show how “Chastity,” in the most varied states of life, is the reconciliation and fulfillment of desires and passions, which has as its goal precisely that man, “clothed in glory and honor,” who is the Adam come forth from creation to which Christ leads us back.

The following is a brief excerpt from the book, which however is to be read in its entirety, unmissable and incomparable as it is with the dull, tedious, “exculturated” chatter of the synod.

IT IS TIME TO EFFECT A “SURSUM CORDA”

by Erik Varden (from pages 114-116 of “Chastity. Reconciliation of the Senses”)

Holiness, life everlasting, configuration to Christ, the resurrection of the body: these notions do not feature much, now, in people’s thinking about relationships and sexuality. We have become alienated from the mindset that brought about the soaring verticality of the twelfth century’s cathedrals, houses holding the whole of life while elevating it.

Was not a proposal recently made to fit a swimming pool on the rebuilt roof of Notre Dame de Paris? It seemed to me apt. It would symbolically have re-established the dome of water that sealed earth off from heaven on the first day of creation, before God’s Image was manifest in it (cf. Genesis 1.7). It would have cancelled, again symbolically, the piercing of the firmament at Jesus’s Baptism, which portended a new way of being human. Whatever fragment of mystery might remain within the church itself would have been performed beneath the splashing of bodies striving to perfect their form. The parable would have been significant.

Once the supernatural thrust has gone from Christianity, what remains? Well-meaning sentiment and a set of commandments found to be crushing, the finality of change they were meant to serve having been summarily dismissed.

Understandably, a movement will then be afoot to consign these to the archives. For what will be the point of them? Become this-worldly, the Church accommodates the world and makes herself reasonably comfortable within it. Her prescriptions and proscriptions alike will reflect and be shaped by current “mores.”

This calls for on-going flexibility, for secular society’s “mores” change quickly, also in the sphere of liberal reflection on sex. Certain views propounded as liberating and prophetic well within living memory – regarding, for example, the sexuality of children – are now rightly seen as abhorrent. Yet new prophets are readily anointed, new theories put forward for experimentation in an area that touches us at our most intimate.

It is time to effect a “Sursum corda”, to correct an inward-looking, horizontalizing trend in order to recover the transcendental dimension of embodied intimacy, part and parcel of the universal call to holiness. Of course we should reach out to and engage those estranged by Christian teaching, those who feel ostracized or consider they are being held to an impossible standard. At the same time we cannot forget that this situation is far from new.

In the early centuries of our era, there was colossal strain between worldly and Christian moral values, not least concerning chastity. This was so not because Christians were better – most of us, now as then, live mediocre lives – but because they had a different sense of what life is about. Those were the centuries of the subtle christological controversies. Relentlessly, the Church fought to articulate who Jesus Christ is: “God from God” yet “born of the Virgin Mary”; fully human, fully divine. On this basis she went on to make sense of what it means to be a human being and to show how a humane social order might come about.

Today, Christology is in eclipse. We still affirm that “God became man.” But we largely deploy an inverted hermeneutic, projecting an image of “God” that issues from our garment-of-skin sense of what man is. The result is caricatural. The divine is reduced to our measure. The fact that many contemporaries reject this counterfeit “God” is in many ways an indication of their good sense.