Have you really enjoyed reading a work that qualifies and want to recommend it to others? This is the prime spot to help people out with those recommendations.
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Plays With Words:
Written in a stylistically unconventional way. HARD MODE: Fits the definition of Experimental Literature.
- Flowers for Algernon by Daniel Keyes
- Infinite Jest by David Foster Wallace
- Ella Minnow Pea: A Progressively Lipogrammatic Epistolary Fable by Mark Dunn
- Catch-22 by Joseph Heller
- Finnegans Wake by James Joyce
- House of Leaves by Mark Z. Danielewski
- A Clockwork Orange by Anthony Burgess
I asked this question a few months back and had a ton of replies. I’ll leave a link to the thread and highlight my two favourite books so far.
Children of Time - Adrian Tchaikovsky “Evolutionary storytelling”. It tells the story of an entire civilization as it grows and evolves from nothing, whilst simultaneously telling a story that takes place over a much more conventional timescale. Very good book IMO, with two slightly-less-strong sequals
Idaho Winter - Tony Burgess What a bizarre book this was. I don’t know if it’s a good book, but it was weird and kept me entertained so that’s good enough for me.
Spoiler for what made it weird
The author gets dragged into the story at one point and becomes a character in the book by accident
Removed by mod
New Release:
New for 2024/2025 (no reprints or new editions). First translations into your language of choice are allowed. HARD MODE: This is the first work you’ve read by this author.
The gathering, by C.J. Tudor
Nuclear war: a scenario, by Annie Jacobsen
Water, Water Everywhere
The title refers to some form or body of water. HARD MODE: Not liquid water.
- On Stranger Tides by Tim Powers
- The Ocean at the End of the Lane by Neil Gaiman
- Midnight Riot (The original UK title of this is River’s of London) by Ben Aaronovitch
What’s Yours Is Mine:
Theft, piracy, fraud, or espionage is a major topic or plot point. HARD MODE: No MacGuffins.
The Recognitions by William Gaddis
Mistborn by Brandon Sanderson
- The Thief by Megan Whalen Turner
- The Lies of Locke Lamora by Scott Lynch
- The Palace Job by Patrick Weekes
- The Redemption of Althalus by Leigh Eddings & David Eddings
- Tinker, Tailor, Soldier, Spy by John le Carré
- Catch Me If You Can: The True Story of a Real Fake by Frank W. Abagnale with Stan Redding
- On Stranger Tides by Tim Powers
Local to You:
The author lives in or writes about a location local to you (city, state, province, territory, etc.). HARD MODE: The author has spent a significant amount of time there, but wasn’t born there.
Debut Work:
An author’s first work. HARD MODE: The author is widely regarded as having a profound impact on the genre/topic.
The Mysterious Affair at Styles by Agatha Christie, with the caveat that her early work is a bit racist. Styles, for example, I recall having an n-word casually dropped into a conversation, along with a couple of antisemitic remarks. If you don’t mind reading around that, however, it’s a nice little Poirot case.
I had a similar experience when I was working through some of the early “The Shadow” pulps and was surprised a couple times at just how blatant the racism was.
- Interview with the Vampire by Anne Rice
- Carrie by Stephen King
- The Hundred Thousand Kingdoms by N.K. Jemisin
- Fear and Loathing in Las Vegas by Hunter S. Thompson
- To Kill a Mockingbird by Harper Lee
- Jonathan Strange & Mr Norrell by Susanna Clarke
- Casino Royale by Ian Fleming
- Neuromancer by William Gibson
Minority Author:
Minority or LGBTQIA+ author. A minority can be any member of a generally underrepresented population where you live. HARD MODE: Minority and LGBTQIA+.
- Binti by Nnedi Okorafor
- Parable of the Sower by Octavia E. Butler
- The Picture of Dorian Gray by Oscar Wilde
- Mexican Gothic by Silvia Moreno-Garcia
- Babel: An Arcane History by R.F. Kuang
- The Invisible Life of Addie LaRue by V.E. Schwab
- Iron Widow by Xiran Jay Zhao
- The Three-Body Problem by Cixin Liu
- Jade City by Fonda Lee
Anything by Roxanne Gay and Nikki Giovanni will work for HARD MODE.
ALT - Translated
Not originally in your native tongue. HARD MODE: Has been translated into at least ten other languages. This Wikipedia page is a good place to start for widely translated works.
“100 Years of Solitude” Gabriel García Márquez (this works for HARD MODE) “Love in the Time of Cholera” Gabriel García Márquez
- Nineteen Eighty-Four by George Orwell
- Don Quixote by Miguel de Cervantes
- The Adventures of Pinocchio by Carlo Collodi
- What You Are Looking For is in the Library by Michiko Aoyama
- Planet of the Apes by Pierre Boulle
- Arsène Lupin, Gentleman-Thief by Maurice Leblanc
- The Little Prince by Antoine de Saint-Exupéry
Bookception:
Features a book-related aspect. HARD MODE: Something other than a book, like an author or library.
- The Book Eaters by Sunyi Dean
- The Golden Enclaves by Naomi Novik
- Fahrenheit 451 by Ray Bradbury
- The Hitchhiker’s Guide to the Galaxy by Douglas Adams
- The Neverending Story by Michael Ende
Among the Stars:
Features space, astronomy, or stardom. HARD MODE: The title references the theme, too.
The Calculating Stars by Mary Robinette Kowal
Mr Palomar by Italo Calvino.
Also qualifies for hard mode (the character is named after an observatory).
- Binti by Nnedi Okorafor
- Leviathan Wakes by James S.A. Corey
- 2001: A Space Odyssey by Arthur C. Clarke
- Who Censored Roger Rabbit? by Gary K. Wolf (movie stars count)
Award Winner:
Has won a significant literature award. HARD MODE: More than one award.
I would love some suggestions for awards to look up, that you’d consider big for your country or preferred genre. I’ve looked up lists of awards, but they tend to be pretty US-focused, and it’s hard to tell what’s actually significant.
I’m familiar with the Hugos (SFF), Nebula (SFF), Bram Stoker (horror), Edgars (mystery), Pulitzer (lit), Booker (lit), and Newbery (kids).
- Dreamsnake by Vonda N. McIntyre
- Ancillary Justice by Ann Leckie
- Babel: An Arcane History by R.F. Kuang
- A Master of Djinn by P. Djèlí Clark
- The Left Hand of Darkness by Ursula K. Le Guin
- Fahrenheit 451 by Ray Bradbury
Questions, Complaints, Whines, General Commentary, Shitposting
Just a quick note, Jaymes and I seeded the Storygraph challenge they built with literally hundreds of literary and genre fiction books (some of which they’ve crossposted here), in case you’re looking for ideas and prefer a more visual browse. (No account required!)
It’s a Holiday:
Takes place during a specific holiday, which is significant to the plot. HARD MODE: Not Christmas, a fictional variation of Christmas, or other winter festival.
- Hogfather by Terry Pratchett
- Hallowe’en Party by Agatha Christie
- We Were Liars by E. Lockhart
- V for Vendetta by Alan Moore
- Walpurgisnacht by Gustav Meyrink, Mike Mitchell
- A Night in the Lonesome October by Roger Zelazny
It’s About Time:
The passage or manipulation of time is a major theme or plot driver. HARD MODE: Backward in time, not forward.
Won’t fit the hard mode, but Charles Sheffield’s Tomorrow and Tomorrow was an interesting read. The first third wasn’t really my thing, but after that the book goes way far into the future.
- The Curious Case of Benjamin Button by F. Scott Fitzgerald
- The Time Machine by H.G. Wells
- This Is How You Lose the Time War by Max Gladstone, Amal El-Mohtar
- 11/22/63 by Stephen King
- The Man Who Folded Himself by David Gerrold