Martin Scorsese is urging filmmakers to save cinema, by doubling down on his call to fight comic book movie culture.

The storied filmmaker is revisiting the topic of comic book movies in a new profile for GQ. Despite facing intense blowback from filmmakers, actors and the public for the 2019 comments he made slamming the Marvel Cinematic Universe films — he called them theme parks rather than actual cinema — Scorsese isn’t shying away from the topic.

“The danger there is what it’s doing to our culture,” he told GQ. “Because there are going to be generations now that think … that’s what movies are.”

GQ’s Zach Baron posited that what Scorsese was saying might already be true, and the “Killers of the Flower Moon” filmmaker agreed.

“They already think that. Which means that we have to then fight back stronger. And it’s got to come from the grassroots level. It’s gotta come from the filmmakers themselves,” Scorsese continued to the outlet. “And you’ll have, you know, the Safdie brothers, and you’ll have Chris Nolan, you know what I mean? And hit ’em from all sides. Hit ’em from all sides, and don’t give up. … Go reinvent. Don’t complain about it. But it’s true, because we’ve got to save cinema.”

Scorsese referred to movies inspired by comic books as “manufactured content” rather than cinema.

“It’s almost like AI making a film,” he said. “And that doesn’t mean that you don’t have incredible directors and special effects people doing beautiful artwork. But what does it mean? What do these films, what will it give you?”

His forthcoming film, “Killers of the Flower Moon,” had been on Scorsese’s wish list for several years; it’s based on David Grann’s 2017 nonfiction book of the same name. He called the story “a sober look at who we are as a culture.”

The film tells the true story of the murders of Osage Nation members by white settlers in the 1920s. DiCaprio originally was attached to play FBI investigator Tom White, who was sent to the Osage Nation within Oklahoma to probe the killings. The script, however, underwent a significant rewrite.

“After a certain point,” the filmmaker told Time, “I realized I was making a movie about all the white guys.”

The dramatic focus shifted from White’s investigation to the Osage and the circumstances that led to them being systematically killed with no consequences.

The character of White now is played by Jesse Plemons in a supporting role. DiCaprio stars as the husband of a Native American woman, Mollie Kyle (Lily Gladstone), an oil-rich Osage woman, and member of a conspiracy to kill her loved ones in an effort to steal her family fortune.

Scorsese worked closely with Osage Principal Chief Geoffrey Standing Bear and his office from the beginning of production, consulting producer Chad Renfro told Time. On the first day of shooting, the Oscar-winning filmmaker had an elder of the nation come to set to say a prayer for the cast and crew.

  • Cabunach@lemm.ee
    link
    fedilink
    English
    arrow-up
    70
    arrow-down
    16
    ·
    edit-2
    1 year ago

    Huh, I remember reading his critique around when Endgame was coming out and thought he just didn’t get it.

    Now, after years of the shit the MCU has been pushing out, I see he was ahead of our time.

    • Bluefold@sh.itjust.works
      link
      fedilink
      English
      arrow-up
      17
      arrow-down
      4
      ·
      1 year ago

      The multiverse could have been so cool, but they went about it ass backwards. They introduce Kaang in a ‘quiet’ part of the overall story, where no one really has any stakes and we have little investment in anyone’s stories. Everyone is kinda doing their own things, mainly dealing with the aftermath of Endgame. Even Spider-Man, who we should be feeling protective of, decides to have a reset. We didn’t care about Kaang because we no long had an investment in any character.

      Then we’re supposed to feel scared of Kaang? And then in >!Quantumania they straight up just strip him of all mystique to the point the end shot of that movie is just comical with the arena full of Kaang’s making the character have 0 remaining intrigue. !< Even had the stuff with Masters not happened they’d lost their chances to make it interesting. Paired with Skrull just not really resonating with the audience at all, it has been misstep after misstep.

      !imo the only way you fix it now is have Doom come in the the F4, outright murder Kaang as the actual universal badass and then switch back to the personal less connected stories to tell a series of Invasion stories as the universe crumbles. Lead up to Fox-verse Vs MCU showdown. Then have a battleworld at the end of it and just reset the whole thing.!<

      Basically, in trying to make a mainstream product they’ve ended up with something no one really cares about.

      • Squizzy@lemmy.world
        link
        fedilink
        English
        arrow-up
        9
        arrow-down
        2
        ·
        1 year ago

        The thing about the MCU is that there is very little consequences, there is a giant corpse in the ocean for the last 2 years unmentioned.

        We could have done something cool like an out there doctor strange movie where things were a little unexpected and off only for a grand reveal that this wasn’t our doctor strange, that it was an alternative version in a different. Big twists like that could have done something that could only be done with the multiverse.

        All that said it is pure fluff, I put it on when I want to tv on not when I want to watch a movie.

        • frunch@lemmy.world
          link
          fedilink
          English
          arrow-up
          6
          ·
          1 year ago

          The thing about the MCU is that there is very little consequences

          This has always been what’s bothered me about these movies. The fights so frequently seem to have no lasting impact or consequences. Beat the ever living shit out of each other, collateral damage absolutely everywhere, neither side gains/loses much, and in 15-20 mins it’ll all start over again but possibly with different players. What’s the point? And what about all the innocent people and their homes/businesses that are being destroyed in the middle of the fight? There are no stakes, no skin in the game.

        • Bluefold@sh.itjust.works
          link
          fedilink
          English
          arrow-up
          3
          ·
          1 year ago

          Yeah. They could have gotten freaky with that corpse. Telling me Damage Control is out here chasing down Kamala when they could be after a celestial just chilling in the water lol. You know some villain going to try and eat it, get crazy powers. Some good guy has some wash up on their shore, gets crazy powers. So many opportunities left on the table.

    • Syl@jlai.lu
      link
      fedilink
      English
      arrow-up
      9
      arrow-down
      1
      ·
      1 year ago

      But they’re not doing great with that shit. So maybe the universe will resolve itself.

    • Blackmist@feddit.uk
      link
      fedilink
      English
      arrow-up
      6
      arrow-down
      1
      ·
      1 year ago

      I was bitterly disappointed even by Endgame. All flash and no substance.

      For me, all these movies rely on stakes and villains. As soon as you start fucking around with time nothing has any stakes any more. You can undo anything. Also Josh Brolin doesn’t have the screen presence required for a big bad.

      Compare to original Iron Man. Jeff Bridges fills the screen, dominating every scene with cartoonish meme potential. Hugo Weaving, Tom Hiddleston, even Michael Keaton have it… Josh is missing something. He’s not a bad actor by any means, but some roles just aren’t for him.

      I think Guardians of the Galaxy is the only MCU franchise that doesn’t hinge on the villain, and it’s actually their most consistent series of movies. Even if the game has made me annoyed at the movies just making Drax and Mantis into fucking morons.